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NOHO LA Dec 17, 2003
"Ralph Lister is hilariously unsettling
as the innkeeper..."
"Bill Rutkoski's The Grand Canyon...works
mostly as a comedy, with hilarious pop-culture laden dialogue that would
fit well in a Quentin Tarantino
film. Natasha Goodman and Robert Hotz display great timing as a bickering
New Jersey Couple fleeing cross-country."
Natasha Goodman,
Robert Hotz
THE TOLUCAN TIMES Nov 26, 2003
"Loudspeakers ...forces
viewers to confront their feelings for the lost in society...The entire
cast does excellent job creating feelings of anxiety and wariness among
viewers through their sometimes frightening recitation. John Lant's
direction is incredibly dynamic in developing gentle waves or giant
crescendos of threat or comfort."
"...Driving Rain engenders
chills and thrills with atmospheric lighting and sound design by John Lant
and Christian Cook respectively...Jenkins and Martin successfully capture
the anxiety and energy of scared young women, who possess a cold, depraved
streak underneath. Lister's hotel manager oozes ickiness and slime
like a running sore. Director Wendy Gough emphasizes the edginess in the
conflicted, contradictory characters. "
"Natasha Goodman and Robert Hotz (Grand
Canyon) do a good job emphasizing the ditziness and blockheadedness of
the two young lovers..."
"Eve Curtis (The Common Cold)
brings a vulnerability and wistfulness to the role of the old frail woman
who feels abandoned and alone. Matthew
Godfrey seems visibly fragile as the confused young man who's emotionally
troubled and lost."
"Murder, Mayhem, and the Macabre
successfully develops chills and thrills through an eclectic concoction of
twists, atmosphere, and dark souls."
BACKSTAGE WEST, Dec 11, 2003
"...All turn out to be part of
playwright Matthew I. Swaye's preshow Loudspeakers, which cleverly
establishes the notion that insanity lurks all around us and is
contagious. Director John Lant's roaming, nearly assaultative
staging is about as immediate as theatre gets."
"Director Wendy Gough (Driving
Rain) amusingly heightens the tension via sudden entrances and
sinister undercurrents -- and through the use of a
Hitchcock-style
soundtrack... As the clerk, Lister is hilariously geeky, while Jenkins and
Martin burble and squeal most appealingly."
"Director Eliezer Brown (The
Common Cold) stages the brutal doings with ghoulish glee.
Curtis' evil mother, Brigg's bewildered demon father, and Finney's sad
faced
girl
are powerful turns."
Lou Briggs, Eve Curtis |