Mission Statement & Philosophy

 

     Write Act Repertory is a membership-based organization whose artist members include Writers, Actors, Directors, Designers and Technical Personnel. Write Act Rep specializes and is dedicated to the development of original plays, lesser known works by established writers, adaptations of classical-themed materials and musicals. Write Act Rep also produces rarely seen works or Los Angeles premieres.

     Along with our repertory season, Write Act Rep enriches the lives of the multi-cultural community of Los Angeles through our outreach programs with several other non-profit organizations, theatrical or academic, creating a positive educational and artistic impact within the community.

     Currently, one of Write Act Rep's outlets provides members the opportunity to produce and create original scripts developed exclusively for the resident professional artists in the membership. We encourage the artists through the continued engagement and immersion in an environment of artistic safety, to forward the company’s mission as well as their own personal goals in the entertainment field. By providing an atmosphere of mutual respect for every discipline and area of live theatrical presentation, we have become one of the most diverse theatre companies in LA.

     Write Act Repertory continues to enrich the lives of Los Angeles theatre artists, our patrons, and the multi-cultural community through our innovative programming, and by providing rental space and rehearsal time to our other fellow theatre producers.

 

 

  History And Profile

Write Act Repertory was established in August 1998, incorporating as a non-profit corporation in January 1999. In September 1999, Write Act Repertory moved into the parish hall of St. Stephen’s Episcopal Church in Hollywood.

The company produced several shows & full workshop productions including Sex A La Carte (August 1999); Old Sins, Long Shadows by Ellen Byron (October-November 1999); Devil’s Consort by Gene Franklin Smith (March-May 2000); The Last Laugh by Arnold Margolin and Mady Julian (October-November 2000); Murder at FabSonic by David Couper, an interactive murder mystery, (August 2000); Angel’s Flight, a musical by Clyde Derrick (April-June 2001); two one-act plays, Looking for Bernice and Sex and Violence by Diane Grant (May-June 2001); the World Premiere adaptation of Charles Dickens’ Bleak House by Gene Franklin Smith (November 2001-February 2002); Transports of the Heart by Clyde Derrick and Gene Franklin Smith (November -December 2002); A Patriot for Me by John Osbourne (March -May 2003); and Human Sex And...An Evening of One-Act Plays including Human Relations by Ned Racine and Sex and Violence by Diane Grant (April - May 2003).

In the summer of 2003, Write Act Repertory added entertainment veteran John Lant, as the Producing Artistic Director. That year the organization’s members converted the temporary and shared space into the exclusive 99-seat Equity waiver proscenium stage and permanent home of Write Act Repertory which continues today, with the help of St. Stephen’s and Father Jamie Edwards-Acton.

That season, Write Act Repertory produced mainstage plays, several one-act festivals, a monthly reading series, Writer and Director workshops, Actor Labs, and the company’s inaugural festival, while refurbishing the venue with new theatre seats, new production offices and a new paint job.

Although the Write Act Repertory Company is not directly affiliated with St. Stephen’s Episcopal Church, the company organizes and participates in community events and programming for children, the neighborhood and adult outreach, including The Gower Gulch Project with Councilman Eric Garcetti, Jubilee Consortium Programs, and the Delaney School of Fine Arts. Keeping within our company mission to enrich the lives of the Los Angeles multi-cultural community through our innovative programming, Write Act Rep continues to be one of the leading forces in Los Angeles Theatre working along several prominent non-profit programming organizations.

Since being in the permanent space, Write Act Rep has produced Milelage: Spotlight Series – cycle of original plays by Matthew I. Swaye (November-December 2003), Murder, Mayhem and Macabre a cycle of original plays by Steve Keyes, Matt Johnson and Matthew I. Swaye (November-December 2003), The Trial by Franz Kafka (March-June 2004), World Premiere of A Dog’s Life by Diane Grant (August-September 2004), Cymbeline by William Shakespeare (September-November 2004),  Progression: An evening of original one-acts by Harry Victor, Kelly Younger, Matthew I. Swaye and Douglas Leal (September-October 2004), World Premiere of Teshuvah by Clyde Derrick (November 2004-Febuary 2005), World Premiere of The Divine Madness of Isabella by Wendy Gough (February-March 2005), Star Trek, Indiana by Ben Livingston (February-April 2005), World Premiere of The Devil’s Bride by Joan Silsby (November-December 2005), Four White Socks - Next Step Project by Graham Barnard ( April 2006), Diner- An evening of original one-acts by Gretchen Jacobs And Joan Silsby (June 2006), Absence of Angels - Next Step Project by Johnna Adams (June-July 2006), Spotlight Series with Joan Kessler: An evening of original one-acts by Joan Kessler ( August 2006), Los Angeles Premiere of Uncle Vampire by Edward Mast (October-November 2006), West Coast Premiere of The Justice Box by Michael Robert David (October-November 2006), The Devil’s Bride by Joan Silsby (December 2006-January 2007), Compass Points: Spotlight Series of New Directors a cycle of original plays by Wil Manus, Joan Silsby, Jim Blanchette and Lisa K. Wyatt (December 2006-January 2007), Peril:Noir & the Bad Seed a cycle of original plays by Lorenzo Buford, Hindi Brooks and Harry Shannon ( March 2007), West Coast Premiere of Loosely Lysistrata by Stewart Zuckerbrod (July-August 2007), A Midsummer Night’s Dream by William Shakespeare  (September-November 2007), Juana - Next Step Project by Paul Casey (December 2007), Reservations for Two (May 2008), Company of Wayward Saints (June-August 2008), The Divine Madness of Isabella (August 2008), Gruesome Hotel (October 2008), World Premiere of the Freeway Series…Of All Places (November-December 2008), World Premiere of Blues for Central Avenue (February-March 2009), Best in Show (February 2009), Measure for Measure (April –May 2009), Freeway Series…Keep the Ball Rolling (June-August 2009), and the currently running World Premiere of How Katrina Plays (August-October 2009).

Write Act Repertory has in-house writer’s labs, director’s labs, improv labs and special events labs culminating into productions throughout our season past groups included Improvable Cause and The Dead Beat Poet’s Society developed and performed at Write Act Rep exclusively.

In addition Write Act Rep has co-produced or housed the following productions; Hollywood Civic Light Opera’s inaugural musical  HOLLYWOOD, HOLLYWOOD!, Interact’s Boarding House & Interactivity 2007, Dungeon Masters, the multi-nominated musical and Ovation winner It Came From Beyond, and XM Radio’s Hit show – New Frequency Theatre of the Mind.

The 2009-2010 Season will include open houses, the announcement of our 11th Season, three mainstage productions, and the continuation of our newly created Freeway Series, featuring greater Los Angeles playwrights not in the Write Act Repertory membership, our World Premiere of Quoth the Raven: Edgar Allan Poe, and the World Premiere of Just a Song at Twilight by Willard Manus. We are introducing of Book, Music & Lyrics Seres featuring the talented groups 3rd Degree Burn (sketch), 2 Drink minimum (improv), Urban Legends (spoken word), Traffic Jam (featuring hot local musical acts).

Additionally the announcement and submission policies of the new solicited scripts of the Love your Craft Series, a cycle of submitted works dealing with or adaptations of HP Lovecraft.

Write Act Rep is always looking and open to new ideas and people to help keep the dream alive of great Los Angeles Theatre. So if you are interested in becoming involved please contact us.

Write Act Repertory’s current and past Honorary Board of Advisors is composed of numerous theatre and film luminaries; Sir Ian McKellen, Debbie Reynolds, Kelsey Grammer, David Hyde Pierce, Hayley Mills, Michael Gambon, Joanna Kerns, Liz Torres, Cybill Shepherd, Nicholas Meyer, Jim Miller and Donna DeSeta.

Write Act Rep is always looking and open to new ideas and people to help keep the dream alive of great Los Angeles Theatre. So if you are interested in becoming involved please contact us.

 


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