Spotlight Series: 

Compass Points -New Directors Series

Q.E.D, The Call, The Human Chair, Happy Hour

Direction by Susannah Myrvold, Greg Crafts, Colleen Reilly, Tracy Peyton

December 11, 12,18,19, 2006 & January 15,16, 17, 2007 

Write Act Rep's Spotlight Series shines again on our mission to the development of theatre artists in the Los Angeles community. The New Director Series is dedicated to new directors showing the potential, focus and dedication needed to promote the vision of stronger author voices needed in Los Angeles theatre. This program works in conjunction with Write Act Rep's Writer's Lab and Improv Lab. This show features the directorial artistry of Greg Crafts, Susannah Myrvold, Tracy Peyton, and Colleen Reilly with the written works of The Call by Willard Manus, Q.E.D. by Lisa K. Wyatt, Happy Hour by Jim Blanchette, and The Human Chair by Joan Silsby, respectively.

 

Q.E.D.

Written by Lisa K. Wyatt

Directed by Susannah Myrvold

 

Linnea ... Jenn Scuderi

Rose  ... Jim Martyka 

The Human Chair

Story by Edogawa Rampo, Adapted by Joan Silsby

Directed by Colleen Reilly

 

Stacy ... DeAna Scafer

Angela Marr ... Rosemary Gore

Joshua Weyland ... Sam Rowley

The Call

Written by Willard Manus

Directed by Gregaory Crafts

 

The Sergeant ... Stephen Cox

 

 

Crew

Costume Designer ... Jackie DiGiovanni

Production Stage Manager ... Erin Scott

Lights and Sets ... John Lant

Happy Hour

Written by Jim Blanchette

Directed by Tracy Peyton

 

Janet Phillips ... Katherine Stein

Smith ... Lou Briggs

Kearns ... Lauren Mustacio

Albert ... Jeremay Fay

Mick ... Gregaory Crafts

Bob ... Victor Vallejo

Gert ... Olga Gorelik

Doris ... DeAna Schafer

"I am pleased that the ensemble wanted to develop a program like this," states Producing Artistic Director John Lant. "I ran a successful program at my last two theatre companies, in which we developed over 40 plays with 17 new directors. Some of these directors have gone on to do film and television. I was lucky enough to be chosen to work at CBS RADFORD in a two-year program designed  for new directors for TV. Even though I had shot films, commercials, and music videos, television 3- camera format was very different. I was lucky enough to work with Howard Storm, and hopefully I have provided a sliver of leeway and of  the environment of safety I was given. I am pleased to present these directors as new creative visionaries to the Los Angeles theatre community.

 


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